FOR anyone whose most anticipated film of the year is Black Panther: Wakanda Forever, Ajoomma may come as a shock. This small, low-budget Singapore film opens with – of all things – a shot of a middle-aged woman’s buttocks swaying gently as she practises line dancing in an HDB estate. This is as far from the hyper-sexualised bodies of superheroes as you can get, and much closer to the ordinary bodies you see every day, all around you, all the time.
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