Entertainment

‘Ghostbusters: Afterlife’ starts strong with US$44m, ‘King Richard’ whiffs


Director Jason Reitman poses for photographers as he arrives for the world premiere of the film ‘Ghostbusters: Afterlife’ in Manhattan, in New York City November 15, 2021. — Reuters pic
Director Jason Reitman poses for photographers as he arrives for the world premiere of the film ‘Ghostbusters: Afterlife’ in Manhattan, in New York City November 15, 2021. — Reuters pic

LOS ANGELES, Nov 22 — The box office ain’t afraid of no ghosts.

Ghostbusters: Afterlife, a sequel to the sci-fi comedy classic, collected US$44 million (RM184 million) in its opening weekend, a better-than-expected result. It’s a sign that family audiences are willing to visit their local movie theater, provided there’s something broadly entertaining to be found there.

At the international box office, Ghostbusters: Afterlife earned US$16 million from 31 overseas markets, pushing its worldwide total to US$60 million. The latest installment in the decades-old franchise is looking like a win after the studio failed to revive the supernatural series years earlier. It should be noted that Sony’s 2016 all-female reboot of Ghostbuster opened to US$46 million, US$2 million more than Afterlife. However that film cost US$144 million — compared to Afterlife’s US$75 million budget — making the earlier version a box office dud.

But despite rapturous reviews and Oscar buzz, the Warner Bros. sports drama King Richard became the latest adult-oriented drama to crumble at the box office. The film, starring Will Smith as the father of tennis legends Venus and Serena Williams, eked out a meager US$5.7 million from 3,302 venues in North America. It may be slightly premature to call it an out-and-out bomb because Warner Bros. is releasing it concurrently on HBO Max, which likely cut into ticket sales. It was embraced by audiences, who awarded it an “A” CinemaScore, meaning King Richard could build steam as word-of-mouth grows. Oscar pundits believe the movie could find itself in the awards race, another factor that could extend its life in theaters. The film wasn’t cheap; it carries a US$50 million production budget. Plus, Smith received his full backend box office bonus in addition to his US$20 million salary as a make-good for sending the film to HBO Max.

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King Richard landed in fourth place on box office charts, behind holdovers Marvel’s Eternals and Paramount’s Clifford the Big Red Dog.

After two weekends at No. 1, Eternals slid to second place, collecting US$10.8 million from 4,055 theaters. To date, the superhero epic has generated US$135.8 million in the US and Canada and US$200.3 million internationally. Meanwhile, Clifford pulled in US$8.1 million in its second weekend of release, pushing the family friendly film to US$33.5 million in North America.

Warner Bros. sci-fi spectacle Dune rounded out the top five with US$3 million in ticket sales, buoying its domestic tally to US$98.1 million. The film, directed by Denis Villeneuve and adapted from Frank Herbert’s seminal novel, is expected to surpass the US$100 million mark in the coming week. — Reuters



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