Pandemic-era biennales are bound to have detours and tributaries, like rivulets fanning across parched land when the rain arrives after a long drought. The main exhibition of the 13th Shanghai Biennale, called “Bodies of Water”, has just opened at the Power Station of Art (PSA) after a near six-month delay. It is smaller than its recent predecessors and builds upon public forums held during the intended opening dates last November and an ongoing series of academic projects. The biennale is also…


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